Writing Journal 11 February 2026: Pretty much rubbish

heavy equipments on landfill

I had a good last month and a decent week before last week … but this weekend was pretty much rubbish. Hence the photo with this story. Before I was inconsistent but at least produced some work; this previous week I was inconsistent and unproductive.

The numbers:

As for why I’m dawdling, I think it’s because I’ve let distractions get over on me and I’m trying to distract myself when I don’t necessarily need to. I feel much better about myself if I remain productive.

The project I started this last Halloween I’m calling (for now; I’m so superstitious of working titles) The Land, The River, and The Waste, an environmental horror tale set in a little Mississippi River town in Iowa.

On that project, I’m now past the 31,000 word mark. Halloween 2026 would be a good, solid deadline for the first draft to be ready, but maybe I can get it done even earlier.

Have a good week everyone, and all you writers keep writing.


If you don’t have the budget for a paid subscription, feel free to just send me a one-time payment of whatever you have the budget for.

While I do appreciate you following this blog, I really would like you to subscribe to my Substack page. By subscribing to that page, you’ll not only be receiving my Substack newsletter, The Writing Life With Jason Liegois (the companion blog to this one), but you’ll also be signing up for my email list. Just click the button below.

Writing Journal 4 February 2026: Finished slow, but not a bad January

Last week, again, was not a massive success, as I was not keeping up the pace I wanted to hit to keep up my pace to his this year’s productivity numbers. However, this month was a fantastic start for my year, so I’m balancing the bad with the good and hoping I can have some more consistent production for the rest of the year. However, if every month winds up being what this one was… I’m likely to more than meet my goals as a result.

Here are my totals for both the previous week and the previous month:

This week’s numbers are a bit low for what I’m trying to average during a week, but only by less than 200 words. Consistency has been my biggest issue this month, which means I’ve had days when I’ve done absolutely nothing and days I’ve written 2,000 words, which is a bit much.

Right now I have a “soft goal” of 230,000 words for 2026. I think it is absolutely doable, considering I wrote only 4,000 or so less words last year. I need to write a little more than 19,000 words per month to reach that goal, but every little bit helps. For example, if I write 20,000 words per month for the next 11 months, I’ll easily hit 240,000 words instead. That’s the equivalent of at least three novel-sized manuscripts, which is a bit eye-opening to me.

project I started this last Halloween I’m calling (for now; I’m so superstitious of working titles) The Land, The River, and The Waste, an environmental horror tale set in a little Mississippi River town in Iowa.

On that project, I’m now past the 30,000 word mark. Halloween 2026 would be a good, solid deadline for the first draft to be ready, but maybe I can get it done even earlier.

Have a good week everyone, and all you writers keep writing.


If you don’t have the budget for a paid subscription, feel free to just send me a one-time payment of whatever you have the budget for.

While I do appreciate you following this blog, I really would like you to subscribe to my Substack page. By subscribing to that page, you’ll not only be receiving my Substack newsletter, The Writing Life With Jason Liegois (the companion blog to this one), but you’ll also be signing up for my email list. Just click the button below.

Writing Journal 28 January 2026: Picking up a little…

Although last week was not a massive success, it did barely meet what I am trying to do as far as writing productivity, so I felt good about those results… and what might be upcoming. More in a bit on that.

First, let’s get into the numbers for last week.

Although the consistency of my production was not quite up to the previous week’s level (6 out of 7 days meeting daily goals), in every other measurement I was keeping busier than before.

My “soft goal” of 230,000 words for 2026 is ambitious, but I think it’s doable considering I wrote only 4,000 or so less words last year and 4,000 words is a subpar week for me nowadays. At some point I’m going to write fewer words than I did the previous year, but the last time it happened was four years ago, and I’ve been on an upward trend since then. Having set a yearly goal ahead of time rather than after the fact has been a benefit for me.

This year, I decided to figure out some monthly and weekly averages I want to reach if I wanted to reach 230,000 words for the year. Figuring the averages, this would mean I’d need to write 630 words daily, 4,423 words weekly, and 19,167 per month. So, any totals over those in the weeks and months to come will be fantastic.

As of right now, I’m at 16,980 words as of the end of last week. Starting the year off with a 20,000-plus word January would be a big boost to start the year.

Speed and productivity are the watchwords for this year. I want to get this project I started this last Halloween I’m calling (for now; I’m so superstitious of working titles) The Land, The River, and The Waste, an environmental horror tale set in a little Mississippi River town in Iowa. I said last week To raise the stakes, get a dog involved. I just started the scene a few days ago, and some pet owners might not be happy with me, but I think I had to do it this way.

On that project, I’m now over 27,000 words and think I’ll need at least 50,000 more to give me a decent-sized first-draft novel. If I could have the first draft wrapped up by this Halloween, that might be the fastest turnaround I’ve ever had on a novel.

Have a good week everyone, and all you writers keep writing.


If you don’t have the budget for a paid subscription, feel free to just send me a one-time payment of whatever you have the budget for.

While I do appreciate you following this blog, I really would like you to subscribe to my Substack page. By subscribing to that page, you’ll not only be receiving my Substack newsletter, The Writing Life With Jason Liegois (the companion blog to this one), but you’ll also be signing up for my email list. Just click the button below.

Sailing Around Cape Horn: Poetry Night, 25 Jan. 2026

a scenic view of the ocean from cape horn

It’s another night for poetry around here.

It’s a bit cold outside for the past couple of days. That might have been on my mind when I wrote these.

Sorry if I’m not profound tonight


Modern Igloos

Fort Madison, Iowa, 24 January 2026

Frost paint windows off white

The cold invades where you’re closest to the outdoors

Only stone, wood, electrified heat sources, and a cup of tea

Hold off the entropy.

You think back to the old cartoons

Inuit chilling both ways in igloos

And being thankful for civilization

Because you know you couldn’t answer the Call of the Wild.


Didn’t want to do another winter poem, so I combined the cold weather with one of my recent obsessions, the ocean. It’s a weird obsession considering I only lived near the ocean for a very short time in my childhood and for most of my life I’ve never lived closer than 850 miles than the nearest part of the ocean (Gulf of Mexico). But maybe living near the Mississippi River sparked something like it with me. Apologies are likely in order for my parents who once had a catamaran for sailing on the the lakes in Iowa but I was not as enthusiastic about it back in those days like I should have been.

I started thinking about the old sailors who make the trip around Cape Horn in southern Chile. I’ve long heard legends about how challenging the trip was. This is me picturing what it might be like.


Cape Horn Days

24 January 2026, Fort Madison, Iowa

On the bridge, morning watch,

Sealed coffee mug fastened in the holder

Protection from the fifty-foot waves

And the blows of the Horn’s gales.

It’s not like it was with the old clipper sailors.

We have a restaurant-level galley and temperature-controlled cabins,

They had a fire pit, iron kettle, swaddled in wool to keep cold and water away.

We have electronic GPS navigation and radar, WiFi and satellite radio,

They had compass and charts if lucky, the stars and waves if they weren’t.

Steel and polymer vessels are far stronger than

Their wooden clipper ancestors.

But they both had to dodge typhoons and icebergs alike.

The Horn looms in the distance through his binoculars

Its waters wild, beautiful, and treacherous.


Now for a quick commercial break, lol.


If You’re Interested in the Poetry You See Here… You Might Want to Check Out Some More…

My first collection of poetry is out.

Since Substack doesn’t have the setup for this (that I’m aware of), I’ve set up something at my WordPress sister site, Liegois Media. I have my own Internet storefront page where you can order my chapbook for $6 per copy. The link is below.


Hope 2026 is going all right, all things considered. Take care everyone.

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While I do appreciate you following this blog, I really would like you to subscribe to my Substack page. By subscribing to that page, you’ll not only be receiving my Substack newsletter, The Writing Life With Jason Liegois (the companion blog to this one), but you’ll also be signing up for my email list. Just click the button below.


Some Wild Ideas About Writing Drafts I’ll Probably Never Try but There’s Some Good Points About Them So I Wanted To Share Them Here

photograph of crumpled paper near a pencil

I do try to check out some of the good blogging on WordPress, but I have to admit I spend a good portion of my time on Substack. It was when I was tooling around on Substack a while back that I read an interesting article about drafting techniques in writing. Although I’m usually not the type of writer to base their posts on someone else’s writings, I thought what the author, Mason Currey, had to say interesting enough to get into it here.

The entire article, “Rip it up and start again,” can be found here. Everyone talks about revisions or prewriting (me included), so I often don’t see a lot of advice or instruction out there about the drafting process. Below, I intend to summarize some of the techniques described in the article, analyze what concepts they have in common, and explain why I wouldn’t probably try them myself.

Let’s get started!

Rip it up

I was not too familiar with Currey initially, although he is from Los Angeles and is the author, among other things, of The Daily Rituals series, and he’s done a few other things as well. This article was enough to get me to subscribe to him on Substack.

First, Mason shares a writing technique suggested by the bestselling author Oliver Burkeman. This technique involves writing out a manuscript draft, printing off said draft, deleting the draft, and then retyping out the draft onto computer.

At first glance, this seems like extra work, but Burkeman explains it allows him to make changes and deletions to the manuscript more naturally. As he put it:

It’s like: I’ve written this thing, I’m not happy with it yet. I print it out, I type back in. Typing it back in is just admin work, right? It doesn’t tax my soul in some terrible pretentious writer way. It’s just typing it back in.

Mason also discusses two other techniques that I might classify as “radical separation.” The first of these was suggested by Taika Waititi, the man behind What We Do in the Shadows and Thor: Love and Thunder, among others. He described writing one or two drafts of a story, putting it away for as much as a year, rereading it once or twice, either throwing it away or locking it away, and then rewriting the manuscript from memory. The director explains why he finds this to be a good revision technique:

And what I think is useful about that is you filter out all the stuff that doesn’t seem very important. So what happens is your 120-page script suddenly become 70 pages. And it’s just the bare bones, the very slim, sleek structure of your film. And that’s when you can start putting in more jokes or, like, the tonal stuff that makes it your own thing.

The last of these came from the author Lauren Groff, a three-time National Book Award finalist, which is similar in principle to the others if not in exact execution. She writes out a first draft longhand in a notebook, puts the notebook in storage, and then rewrites the entire book from memory in longhand for what will become the true first draft.

On an unrelated note, Mason also lets us know that Groff works on multiple writing projects at once and even puts them in different locations. Although I’m not that extreme, I do have a tendency to work on more than one project at a time.

What each of these techniques have in common is an attempt to refine and improve the first or rough draft process, or at least to get a head start on the revision process. There is a clear tendency for people to pile in a lot of information and material into their first drafts. Dan Ackroyd was infamous for writing massive scripts for the movies he was starring in, such as The Blues Brothers. Shoot, the first draft I had for The Holy Fool was somewhere around 150,000 words and I ended up hacking more than 50,000 words from that rough draft to make it something approaching a tight narrative.

So, I can absolutely relate to this, especially to trying to get the overall shape of the story right the first time. You don’t want to get off on the wrong foot, and you want to bring the story you want to tell to life from the beginning.

While I can understand the instinct behind these techniques, I don’t believe I want to use these in my own work. Now, I do write down the initial notes for my projects in longhand in notebooks, but I prefer to be typing when it comes to putting together a rough draft. Maybe it’s the journalist in me, or it’s the love and desire for typewriters I had as a kid in the pre-Internet era I as a Generation X kid grew up in1. I’m guessing part of my hesitation has something to do with this.

But the other part of my hesitation has something to do with my particular situation. To be frank, everyone, I have not been able to write a book in a shorter amount of time than two years. I am hopeful my horror special set in a small town on the Mississippi River might be the tale that breaks this streak, but procrastination and my work habits have kept my productivity, while not at a Harper Lee level, at not the best levels.

And this leads me to another issue. I have lived for more than a half century, and I am very much aware that the remaining portion of my life is not as long as what has come before me. To be honest, all three of these techniques seem to add to the length of the writing process than subtract from it. Whatever I am doing for the remaining years of my existence, I will be racing against time to write the stories I want to be writing. I have more than a few stories left to tell, and I would prefer to spending my final days trying to think of things to write rather than regretting the stories I didn’t have the chance to tell before I passed.

As far as avoiding some of the pitfalls these techniques are designed to avoid, I believe I am trying to avoid them by writing only the scenes I find most interesting to me and leaving the “filler” scenes until the very end, or just forgetting to write them (even better). But if these techniques work for you, by all means dive into them.


But…

As with all the advice I give around here, feel free to ignore it if you find it conflicts with writing habits or techniques which actually work for you. The number one piece of writing advice I ever have given my English, composition, and/or special education students is this:

If something is working to help you write well, whether or not it’s the recommended thing to do, keep doing it.


Next Time…

I’m planning on starting a deep dive into worldbuilding the next time I do a writing advice column. Hope it’s helpful to you writers out there.

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Writing Journal 21 January 2026: Slow full second week

My new notebook with my word counts for the year so far.

Sometimes I get down if I have a slow week. However, I’m glad I feel bothered by having an off-week rather than just passively accept it.

So, let’s see the numbers.

Other than being a bit more consistent in writing during different days, none of this is better than last week’s numbers. A good portion of my writing has been more blog-based rather than the fiction projects. And I feel like I’ve been hunting down my work in progress I got started last Halloween (see the paragraph after the next one). The writer S.E. Reid recently wrote a Substack Note about having her WIP go feral in the nearby woods and trying to convince it to come back home. That was a wonderful metaphor, but I think my story is more like the socially inappropriate friend who’s getting bored with conversing with me quietly, who’s impatient to get back to some of the crazy stories. I probably need to listen to it.

I’ve got a soft goal of 230,000 words for this year to write, and they’re not going to write themselves because I’m more wary of ChatGPT for fiction than the Bulterian Jihad of Frank Herbert’s Dune universe. At most I might use it as a beta reader for my rough drafts (pretty much what Grammerly or the Microsoft Word grammar editor already does), but if I use it to just write the draft, what’s the point of calling myself a writer, yeah?

The Land, The River, and The Waste (working title due to me being a superstitious sucker) is my top project now, an environmental horror tale set in a little river town on the Mississippi River in Iowa1. I’ve been trying to get a bit of the small-town feel of my setting, but I have the feeling I need to kick the action into high gear and I have an idea of what I need for it. To raise the stakes, get a dog involved. A bit ruthless, but I think it’s appropriate under the circumstances.

Have a good week everyone, and all you writers keep writing.


If you don’t have the budget for a paid subscription, feel free to just send me a one-time payment of whatever you have the budget for.

While I do appreciate you following this blog, I really would like you to subscribe to my Substack page. By subscribing to that page, you’ll not only be receiving my Substack newsletter, The Writing Life With Jason Liegois (the companion blog to this one), but you’ll also be signing up for my email list. Just click the button below.

  1. To bump up the numbers this week, I might decide to do that big post about all of the works in progress currently in my document queue. As a matter of fact, I might start putting that together as soon as I finish up this piece. ↩︎

With Apologies, A Brief Political Manifesto

the interior of a large building with a dome

I have kept this space usually free of political statements. Frankly, my position in my personal life makes it problematic to be outspoken online. And I don’t see the point in arguing with people online. You never convince the people you want to convince and the things that are important to you are too valuable to argue about as if you and your ideas are competing to survive. For those with hardened minds and no empathy, I have nothing to say or discuss.

I also wanted to keep this space dedicated, as it was, to my love of writing and the products of this work. However, if you follow me on my social media (primarily FB, Instagram, Threads, and Bluesky), you might get some idea of my politics. If you read any of the three novels I’ve written up to this date, you’ll likely get a better idea of my personal or political philosophy. Otto von Bismark once called politics the art of the possible. I would say (though I would not claim credit for its creation if someone said it previously) that politics is the inevitable by-product of human interaction.

In addition, there are many other great writers and thinkers out there who are doing great work out there in addressing our current situation in America, including current or former journalists such as Dan Rather and Laura Belin1, as well as writers from other walks of life like Heather Cox Richardson and Laura Jedeed . They do great as themselves; I do not need to imitate them, but admire them.

However, I think I can’t remain silent regarding how I feel about the current national circumstances. I want to lay out how I feel about politics – my ideology, that is. I’ve often joked to family and friends the definition of ideology should be how a person or group of people feel the world should be like rather than the way the world actually is. I guess that could be said of mine.

However, I think I can’t remain silent regarding how I feel about the current national circumstances. I want to lay out how I feel about politics – my ideology, that is. I’ve often joked to family and friends the definition of ideology should be how a person or group of people feel the world should be like rather than the way the world actually is. I guess that could be said of mine.


No One Person Should be in Charge

Trust no one, not even yourself2.

  • Joseph Stalin

A man who trusts everyone is a fool and a man who trusts no one is a fool. We are all fools if we live long enough.

  • Robert Jordan

If there is a theme to the United States of America, it is the idea that power cannot be concentrated in the hands of the few and certainly not just one person, especially if such people don’t have any constraints on their actions. This is the problem the American colonists had with King George III and his government and how they didn’t seem to have the same rights as their British countrymen. I can see why they’d be upset, because they were arguably the most comprehensive rights given to any nation’s citizens up until that point. The entire middle portion of the Declaration of Independence is one long complaint about how King George3 was screwing things up for the colonies and was ordering them around for no good reason4.

Because of all this, those leading America after they managed to get their independence from Britain decided to build a constitution with the intention of setting up a system of government with the intention of trying to make sure the responsibilities of rule were dispersed among different branches of government, and among the federal, state, and local authorities.

The principles of a free constitution are irrevocably lost, when the legislative power is nominated by the executive.

  • Edward Gibbon, The History of the Decline and Fall of the Roman Empire

Society in any state is a blessing, but Government, even in its best state, is but a necessary evil; in its worst state, an intolerable one.

  • Thomas Paine, Common Sense

I am in absolute agreement this was the right instinct to have in building a democracy (or a republic, if you wanted to stick with Franklin’s definition). However, they didn’t get everything right the first time around. First of all, they didn’t get the whole “slavery” thing right from the get go, which is symbolized by Thomas Jefferson talking about freedom for all while he owned slaves, some of which he had exploitive and predatory sexual relations (not a relationship) with5.

The destiny of the colored American … is the destiny of America.

  • Frederick Douglass

In my opinion, we never got the whole slavery and racism thing resolved, even after the Civil War and the Civil Rights Era of the 1950’s through the 1970’s. A good portion of this country never grappled with the implications of what slavery and bigotry did to our country.

In addition, there were more than a few people before, during, and after the creation of our country and our constitution that never wanted to follow the path people like Thomas Paine, Patrick Henry, Thomas Jefferson, and others laid out for us as away from autocracy, monarchy, oligarchy, and dictatorship. More than a few of these people are now in charge of this country. That is a problem.


Let’s jump to something is a bit closer to my own experiences, not that politics isn’t something relevant to me.


On What Journalism Should Be

We hardly need to be reminded that we are living in an age of confusion – a lot of us have traded in our beliefs for bitterness and cynicism or for a heavy package of despair, or even a quivering portion of hysteria. Opinions can be picked up cheap in the market place while such commodities as courage and fortitude and faith are in alarmingly short supply.

  • Edward R. Murrow

A free and truly independent press – fiercely independent when necessary – is the red beating heart of freedom and democracy.

  • Dan Rather

For-profit journalism is a contradiction in terms.

  • Jason Liegois

The more I think about it, the more I feel like my debut novel, The Holy Fool, was looking ahead at the current situation where journalists were, if not extinct, then perhaps a dying breed. The book was published at the start of 2019, it was set in the second half of 2008, but I think its critique of the decline and fall of traditional media fits very well today6.

Journalism is inherently a community service, even though it cannot be provided, like others, by the government for obvious reasons. The need to pursue profits as a stockholding enterprise has been at the very best a necessary evil, but it has started to overwhelm nominally honest newsgathering enterprises in some cases and in other cases be eagerly put ahead of any need to inform the community.

I’ve come to the conclusion true journalism organizations need to be nonprofit and/or community-based to avoid these conflicts and remain sustainable while keeping the public properly and accurately informed about the world around them. There are plenty of great organizations attempting to do this work, from the Guardian in Britain, ProPublica and the Center for Public Integrity in America, and the Iowa Writers Collaborative in Iowa.

Economics

A monopoly granted either to an individual or to a trading company has the same effect as a secret in trade and manufactures.

  • Adam Smith, An Inquiry into the Nature and Causes of the Wealth of Nations

The history of all hitherto existing societyis the history of class struggles. Freeman and slave, patrician and plebeian, lord and serf, guild-master and journeyman, in a word, oppressor and oppressed, stood in constant opposition to one another, carried on an uninterrupted, now hidden, now open fight, a fight that each time ended, either in a revolutionary reconstitution of society at large, or in the common ruin of the contending classes.

  • Karl Marx and Friedrich Engels, The Communist Manifesto

Everybody knows that the dice are loaded
Everybody rolls with their fingers crossed
Everybody knows the war is over
Everybody knows the good guys lost
Everybody knows the fight was fixed
The poor stay poor, the rich get rich
That’s how it goes
Everybody knows

  • Leonard Cohen, Leonard Cohen: Poems and Songs

From my understanding and study of capitalism, the process calls for an infinite expansion of markets, customers, goods, resources, and services. However, the only thing in the natural world that continues to grow in an uncontrolled manner is cancer. This is not a coincidence.

I am a student of history, of past civilizations which expanded beyond their means and collapsed as a result. Jared Diamond is famed for his book Guns, Germs, and Steel, but I am just as much of a fan of his follow-up work Collapse, which details why several past civilizations failed because they overextended their resources and capabilities.

The metaphor is so obvious. Easter Island isolated in the Pacific Ocean — once the island got into trouble, there was no way they could get free. There was no other people from whom they could get help. In the same way that we on Planet Earth, if we ruin our own [world], we won’t be able to get help.

  • Jared Diamond

Beyond questions of capitalism and socialism, American and un-American thought, we cannot have an economic system that allows people to starve and go without shelter, no matter how hard they work, and we can’t have an economic system that cannot be sustained in the long term.

If Your System Doesn’t Work, Get a New System

All that is human must retrograde if it does not advance.

  • Edward Gibbon, The History of the Decline and Fall of the Roman Empire

…That to secure these rights, Governments are instituted among Men, deriving their just powers from the consent of the governed, –That whenever any Form of Government becomes destructive of these ends, it is the Right of the People to alter or to abolish it, and to institute new Government, laying its foundation on such principles and organizing its powers in such form, as to them shall seem most likely to effect their Safety and Happiness.

  • Declaration of Independence

Just because because things are the way they’ve been means they have to stay that way. As I mentioned earlier, there are plenty of things we need to change. We need to get money out of politics once and for all. We need to dramatically reduce the power of the presidency and make it much easier to remove him. We need to end this whole lifetime appointments for judges. And all of these are just for starters.

Maybe we could tack on enough amendments to the old girl to improve things, but maybe it might not be a bad idea to hit the reset button on the whole constitution thing. France has been experimenting with democracy for about as long as we have, and they’re already on their fifth constitution, which they passed just less than seventy years ago.

There’s plenty of good ideas out there for how we could fix government, but I’ve already rambled a while here. Plus, it might make more sense to save some of these ideas for one of my upcoming fiction projects. We’ll see.


Oh, and I’m not a fan of MAGA, if that wasn’t apparent.

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While I do appreciate you following this blog, I really would like you to subscribe to my Substack page. By subscribing to that page, you’ll not only be receiving my Substack newsletter, The Writing Life With Jason Liegois (the companion blog to this one), but you’ll also be signing up for my email list. Just click the button below.

  1. The latter of which is one of the better reporters on political events in my home state of Iowa and a member of the Iowa Writers Collaborative Roundup . ↩︎
  2. There’s going to be a lot of quotes in this piece, so buckle up, brothers, sisters, and all others. ↩︎
  3. By the way, he was a little nuts. Take that for what you will. ↩︎
  4. For those who are curious, below is the part of the Declaration of Independence dealing with the American colonies’ issues with the king. Feel free to look for any modern-day parallels.

    The history of the present King of Great Britain is a history of repeated injuries and usurpations, all having in direct object the establishment of an absolute Tyranny over these States. To prove this, let Facts be submitted to a candid world.
    He has refused his Assent to Laws, the most wholesome and necessary for the public good.
    He has forbidden his Governors to pass Laws of immediate and pressing importance, unless suspended in their operation till his Assent should be obtained; and when so suspended, he has utterly neglected to attend to them.
    He has refused to pass other Laws for the accommodation of large districts of people, unless those people would relinquish the right of Representation in the Legislature, a right inestimable to them and formidable to tyrants only.
    He has called together legislative bodies at places unusual, uncomfortable, and distant from the depository of their public Records, for the sole purpose of fatiguing them into compliance with his measures.
    He has dissolved Representative Houses repeatedly, for opposing with manly firmness his invasions on the rights of the people.
    He has refused for a long time, after such dissolutions, to cause others to be elected; whereby the Legislative powers, incapable of Annihilation, have returned to the People at large for their exercise; the State remaining in the mean time exposed to all the dangers of invasion from without, and convulsions within.
    He has endeavoured to prevent the population of these States; for that purpose obstructing the Laws for Naturalization of Foreigners; refusing to pass others to encourage their migrations hither, and raising the conditions of new Appropriations of Lands.
    He has obstructed the Administration of Justice, by refusing his Assent to Laws for establishing Judiciary powers.
    He has made Judges dependent on his Will alone, for the tenure of their offices, and the amount and payment of their salaries.
    He has erected a multitude of New Offices, and sent hither swarms of Officers to harrass our people, and eat out their substance.
    He has kept among us, in times of peace, Standing Armies without the Consent of our legislatures.
    He has affected to render the Military independent of and superior to the Civil power.
    He has combined with others to subject us to a jurisdiction foreign to our constitution, and unacknowledged by our laws; giving his Assent to their Acts of pretended Legislation:
    For Quartering large bodies of armed troops among us:
    For protecting them, by a mock Trial, from punishment for any Murders which they should commit on the Inhabitants of these States:
    For cutting off our Trade with all parts of the world:
    For imposing Taxes on us without our Consent:
    For depriving us in many cases, of the benefits of Trial by Jury:
    For transporting us beyond Seas to be tried for pretended offences:
    For abolishing the free System of English Laws in a neighbouring Province, establishing therein an Arbitrary government, and enlarging its Boundaries so as to render it at once an example and fit instrument for introducing the same absolute rule into these Colonies:
    For taking away our Charters, abolishing our most valuable Laws, and altering fundamentally the Forms of our Governments:
    For suspending our own Legislatures, and declaring themselves invested with power to legislate for us in all cases whatsoever.
    He has abdicated Government here, by declaring us out of his Protection and waging War against us.
    He has plundered our seas, ravaged our Coasts, burnt our towns, and destroyed the lives of our people.
    He is at this time transporting large Armies of foreign Mercenaries to compleat the works of death, desolation and tyranny, already begun with circumstances of Cruelty & perfidy scarcely paralleled in the most barbarous ages, and totally unworthy the Head of a civilized nation.
    He has constrained our fellow Citizens taken Captive on the high Seas to bear Arms against their Country, to become the executioners of their friends and Brethren, or to fall themselves by their Hands.
    He has excited domestic insurrections amongst us, and has endeavoured to bring on the inhabitants of our frontiers, the merciless Indian Savages, whose known rule of warfare, is an undistinguished destruction of all ages, sexes and conditions.
    In every stage of these Oppressions We have Petitioned for Redress in the most humble terms: Our repeated Petitions have been answered only by repeated injury. A Prince, whose character is thus marked by every act which may define a Tyrant, is unfit to be the ruler of a free people. ↩︎
  5. It reminds me of the story of early 1980’s rapper Mellie Mel, who wrote the song “White Lines (Don’t Do It),” one of the legendary anti-drug anthems of the early rap era, while doing lines of cocaine in the studio. The contradictions of man and all that, one would say. ↩︎
  6. That’s probably one of the reasons why I set the sequel to the book (currently under development) in 2024, right in our current circumstances. ↩︎

Writing Journal 14 January 2026: First full week of 2026 in the books

My new notebook with my word counts for the year so far.

So, I got the first full week of 2026 wrapped up. I was really worried I wasn’t keeping up the pace throughout the time, although it turned out I was just being incredibly inconsistent with my productivity. When I finally totaled everything up, it ended up being a pretty good run at the end to get the numbers up to a very respectable level.

With that, I’ll review the numbers.

I’ve got a soft goal of 230,000 words for this year to write. This week I ended up writing about 1,000 words more than what I needed to write to keep up that pace. It was good to see.

The Land, The River, and The Waste (working title due to me being a superstitious sucker) is still my top project now, an environmental horror tale set in a little river town on the Mississippi River in Iowa. To try and cut down on the amount of recaps I have to do on some of these newsletters and writing journals, I’m still thinking about coming up with a separate post where I could put extended synopses of my projects. Hopefully I can get that sorted out on this site and my Substack page sometime this week.

Have a good week everyone, and all you writers keep writing.


If you don’t have the budget for a paid subscription, feel free to just send me a one-time payment of whatever you have the budget for.

While I do appreciate you following this blog, I really would like you to subscribe to my Substack page. By subscribing to that page, you’ll not only be receiving my Substack newsletter, The Writing Life With Jason Liegois (the companion blog to this one), but you’ll also be signing up for my email list. Just click the button below.

A Quick Programming Note/Explanation

person using laptop

Hello, readers and new arrivals to this page.

For those who are not aware of the situation, I am blogging primarily these days on Substack. I have continued to use this page to publish my content, because I appear to have developed a group of subscribers here who continue to read and interact with my work. To all of you who have done so, thank you so much. It means more to me than you can know.

To prevent overwhelming my social media feeds with repeat postings over a short period of time, and to increase SEO attention, I am choosing to post writings I cross-post on Substack in slightly different formatting and revisions and at different times. For example, one post I plan to post on Substack today will appear here on Liegois Media under a different title, artwork, formatting and slightly different content.

But keep in mind, I will continue to post here regularly, as well as some content, such as my writing journals, which are exclusive here to Liegois Media. I hope you are getting some value and enjoyment out of it all.

Thanks.

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While I do appreciate you following this blog, I really would like you to subscribe to my Substack page. By subscribing to that page, you’ll not only be receiving my Substack newsletter, The Writing Life With Jason Liegois (the companion blog to this one), but you’ll also be signing up for my email list. Just click the button below.

Writing Journal 7 January 2026: Good jump start to the year

On these writing journals I often talk about how I’ve been doing on my yearly goals, but I recapped my 2025 writing goals and previewed my 2026 goals here, so go to the link if you are curious (spoiler alert, I had a good year).

We started 2026 in the middle of the week, so I didn’t have too much time to write (three compared to seven days). However, since this covered the end of my vacation time (winter break), I was able to be pretty productive over a short period of time.

With that, I’ll review the numbers.

Considering I will have to write somewhere around 630 words a day to ensure I write somewhere in the neighborhood of 230,000 words in 2026, averaging over 1,000 words a day (never an easy feat for me) is a great jump start on that goal. All I need to do is keep it up, but I know from last December and the latter part of last summer how tough that focus can be. Let’s see how it goes.

I’m working on more than a few projects at the moment (go here to find out what they are – look in the 2026 goals section), but The Land, The River, and The Waste (working title due to me being a superstitious sucker) is still my top project now, an environmental horror tale set in a little river town on the Mississippi River in Iowa. To try and cut down on the amount of recaps I have to do on some of these newsletters and writing journals, I’m thinking about coming up with a separate post where I could put extended synopses of my projects. Something to sort out later.

Have a good week everyone, and all you writers keep writing.


If you don’t have the budget for a paid subscription, feel free to just send me a one-time payment of whatever you have the budget for.

While I do appreciate you following this blog, I really would like you to subscribe to my Substack page. By subscribing to that page, you’ll not only be receiving my Substack newsletter, The Writing Life With Jason Liegois (the companion blog to this one), but you’ll also be signing up for my email list. Just click the button below.