Subscriber Exclusive: “Into the Deep Forest”

A few weeks ago, I mentioned I had entered a short story for the Midwest Writing Center’s Iron Pen Competition. Even though I didn’t place in that competition, it was a great experience and I would definitely do it again next year.

I’ve been thinking, however. I personally think what I produced was pretty good. It was a short but expansive look at a different world and dipping my toe into fantasy writing, although there was no magic to be seen in it. (According to Google and the articles it sent me to, a story without magic in it can definitely be still considered to be in the fantasy genre.)

Then I considered something else. Why sit on this story? I think it’s pretty good, and it’s continuing to inspire me to continue planning for this original fantasy series idea I’ve been toying around for a while.

With that in mind, I’m going to make this a subscriber exclusive for Liegois Media. Right now I don’t have the time or inclination to be chasing down places to print my short fiction, so I might as well do it here. If you are my subscribers, you should have something to show for it, and original fiction definitely fits the bill.

So, here you go. The sentence below was the prompt for this piece. It gave me the idea which expanded into this story. Enjoy.

Between the ocean and the mountains is a wild forest. That is where I want to make my home.

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While I do appreciate you following this blog, I really would like you to subscribe to my Substack page. By subscribing to that page, you’ll not only be receiving my Substack newsletter, The Writing Life With Jason Liegois (the companion blog to this one), but you’ll also be signing up for my email list. I will eventually be opening some special contests, offers, and first looks at original fiction, poems, and other items. Just click the button below.

What Should Journalism Be? (Part 2): Where I use an article from Mo at the NYT to expand on my thoughts

I had considered maybe talking a little more about the present-day state of journalism through the lens of my debut book, The Holy Fool: A Journalist’s Revolt, after discussing it last weekend.

However, I thought it might be a little too much navel-gazing to do a part two, especially when it could have seemed to have been to be overly self-promotional (which I’m trying to avoid). Thankfully, Maureen Dowd of the New York Times wrote something this weekend which gives me a good entry point into talking about journalism again.

I don’t want this to be one of those pieces that bangs on about how things used to be better, and they’ll never be as good again.
But, when it comes to newsrooms, it happens to be true.

That’s how Maureen starts her column in the 29 April 2023 edition of the New York Times, entitled “Requiem for the Newsroom.” In the column, she looks back at the era of the newspaper newsrooms of the 20th century, with the input of several of her former journalism colleagues, and what current journalism, especially those who work from home, is missing out from this experience. She does make at least a couple of good points. However, I think that she overlooks a few things, one of those being that the lack of newsrooms is nowhere near the biggest problem facing newspapers today.

Subscribe to get access

Read more of this content when you subscribe today.

While I do appreciate you following this blog, I really would like you to subscribe to my Substack page. By subscribing to that page, you’ll not only be receiving my Substack newsletter, The Writing Life With Jason Liegois (the companion blog to this one), but you’ll also be signing up for my email list. I will eventually be opening some special contests, offers, and first looks at original fiction, poems, and other items. Just click the button below.

What Should Journalism Be? A look back at my book The Holy Fool

That’s what fiction is for. It’s for getting at the truth when the truth isn’t sufficient for the truth.

Tim O’Brien

Artists use lies to tell the truth. Yes, I created a lie. But because you believed it, you found something true about yourself.

Alan Moore, V For Vendetta

It might seem a bit navel-gazing to undertake any sort of analysis of my own fiction. However, with the upcoming approach of my new book getting published, and with some of the writers I have gotten to know and/or reunite with, especially on Substack, this subject presented itself.

When I finally decided to get off my rear and begin writing my first book, I wasn’t planning on creating something complicated.

I sure wasn’t trying to plan for a massive bestseller by finding the new hot trend in fiction and following it. I certainly wouldn’t have chosen “journalism thriller” as my genre, and I sure as hell wasn’t keeping marketing in mind when I decided to call it The Holy Fool: A Journalist’s Revolt.

As with nearly all of the times I ever got the urge to write something, it was something that profoundly moved me. In this case, it was my relationship with journalism that started generating the story idea. Although at the time, the story seemed quite straightforward to me, I was also trying to work out how I felt about the profession in the book as well.

Subscribe to get access

Read more of this content when you subscribe today.

While I do appreciate you following this blog, I really would like you to subscribe to my Substack page. By subscribing to that page, you’ll not only be receiving my Substack newsletter, The Writing Life With Jason Liegois (the companion blog to this one), but you’ll also be signing up for my email list. I will eventually be opening some special contests, offers, and first looks at original fiction, poems, and other items. Just click the button below.

Last Obligatory Promotional Post Because I Want to at Least See Some People There at my Event

Usually, I don’t want to use this blog just to promote something that I’m doing. However, there is an event that I’ll be at this weekend I wanted more people to come to, even though I have discussed this here on the page before.

I’ll be participating in the Local Author Fair at the Johnston Public Library, Saturday, February 25 (that’s tomorrow). I’ll be one of many other area authors there waiting to meet people from 2 to 4 p.m. that day. I’ll bring myself and copies of The Holy Fool for purchase, and I’ll also be there to talk about my upcoming series The Yank Striker.

Once again, thanks to the Johnston Public Library for the invitation, and I look forward to meeting old friends and new acquaintances there.

Obligatory Promotional Post Because I Want to at Least See Some People There at my Event

Usually, I don’t want to use this blog just to promote something that I’m doing. However, there is an event that I’ll be at this weekend I wanted more people to come to, even though I have discussed this here on the page before.

I’ll be participating in the Local Author Fair at the Johnston Public Library, Saturday, February 25. I’ll be one of many other area authors there waiting to meet people from 2 to 4 p.m. that day. I’ll bring myself and copies of The Holy Fool for purchase, and I’ll also be there to talk about my upcoming series The Yank Striker.

Once again, thanks to the Johnston Public Library for the invitation, and I look forward to meeting old friends and new acquaintances there.

Something is Coming Soon – The Yank Striker

I really wasn’t expecting to make this announcement this soon.

I had thought that I would have been putting this project forward sometime later next year, definitely as a self-publishing project. Even though I have been working toward self-publishing and still might put some projects out there under self-publishing, my next venture is going to be with someone familiar.

I have been talking with Biblio Publishing, the publishing company that worked with me to put out my book The Holy Fool. I mentioned that I had been working on a book project I had just recently completed, and they said that they were interested in publishing that book. Pending final agreements and so forth, it appears that my second book, The Yank Striker, will be published through Biblio this coming January.

I will give more details about publication, availability, etc., in the coming weeks and months. Again, all of this is preliminary, but from my past experiences with publishing I think that it is important to get as much word out about this upcoming project as soon and as often as I can.

The whole idea came to be a few years ago when I was getting ever deeper into my obsession with the sport of soccer. At a certain point, examining how Americans were starting to have careers in the major soccer leagues around the world, I asked myself a simple question:

What would the American Lionel Messi look like?

Liegois

After a bit of thinking, the character of Daniel John “DJ” Ryan came to mind. Over time, his story began developing like a sapling tree with branches sprouting up and down the trunk.

I’m going to include a brief synopsis of the book at the jump. I wrote it due to my love of the sport and the people who play it. I’ll be talking about this project more as its publication draws near, and I’m looking forward to sharing it with everyone.

Continue reading “Something is Coming Soon – The Yank Striker”

Joining the Yanks

It all started because I needed an essay.

The year was 2012. At that point in my life, I was pretty much in between jobs. I had returned to the first school district I have worked for at the start of my career because they had asked me to return and quite soon, I immediately wished I hadn’t accepted. With my wife’s consent, I decided to move on.

At this point in my life, I was considering a few options for what was next. My home was in Muscatine, Iowa, where I had graduated from high school, and I was keen on trying to teach there. I thought it was a good district and my kids were attending school there at the time, so I thought that might be a fun experience.

I also had a high in the sky dream that I might become a full-time professor at another place – Muscatine Community College (MCC). That went to some old fantasies I had of being a professor/writer, like I had first seen on the University of Iowa campus. I could picture myself teaching three or four classes a semester, hanging out on some spacious campus lounge during my off times, and putting together a novel every two years or something like that. I could picture myself teaching kids eager to be the next Hemingway or James Patterson to spread their literary (or genre) wings. Older people still need their fantasies, kids.

To accomplish these goals, I decided to start substitute teaching at the school district and started working as an adjunct instructor at MCC. In the district, I taught everything from pre-school to high school; at MCC, I taught composition and writing. While I was substituting for other teachers in the district and teaching their lessons, the MCC class was totally my own. I designed it with input from mentors who were full-time instructors there, and I did all the evaluating and grading. Both positions, coincidentally, were part-time. That obviously meant no benefits and varying hours, depending on the situation on any given week. I wanted to show that I was interested in working for both organizations and contributing to them.

Due to a multitude of factors, I never did work for either the district or MCC full-time. The exact reasons aren’t important anymore and I’ve long moved on since that time. In fact, about a year later I’d chuck all of that to briefly come out of retirement from journalism and work for my hometown newspaper for about 18 months. However, something happened as part of that teaching that was something of a thought experiment to me.

As part of my work with MCC, I was designing my own course to teach online – a virtual composition course. This was during the early years when online teaching was beginning to unfold – no Zoom, no live chat. However, it was writing, and I’d like to think that I was putting together some good online instruction.

When I was starting to design that course, I had a chance to examine some existing composition courses from some of the other instructors. One of the things that I noticed that at least a couple of those instructors were using sample essays that were written by other students. As I was just starting out as a composition instructor, I didn’t have ready access to some good example essays from students. Because of that, I decided to put together one of my own essays to fill in the gap.

As one of the strategies I was teaching was descriptive writing, I figured I’d put together an essay that would include a strong description of something I had experienced. The idea behind such an essay is to give a dominant impression of whatever subject that you are describing. You want your audience to feel something about your subject, to have a deeper understanding of it. At this point in my life, there was one subject that I wanted to write about more than anything else. That subject was soccer.

For the past couple of years, I had been interested in the Chicago Fire Soccer Club (now the Chicago Fire Football Club). Soccer had been a longtime interest of mine (more on the origins of that subject later), but at that point in my life I had become obsessed with soccer in both domestic and foreign leagues, an obsession that has only grown in the years since. That summer, however, I had my first chance to watch a pro game live, in Chicago, with my son and one of my friends from Muscatine. It was an amazing experience… so I wanted to talk about it.

The result of all of this was “Joining the Men in Red,” a first-person account of that match. Is it a perfect example of a descriptive essay, like what I would find in some of the composition textbooks I used for my classes? Maybe not. Were there one of two things I could have made better? Maybe. But I think it had a lot of heart and passion, and I think it did reflect what I truly felt about the sport and its fandom.

And I was able to use that essay for those classes. I even found that it would up being useful for later classes (back at the high school level) where I used it as a descriptive writing example. Heck, even last year, I ended up using it in a composition class I was teaching at my new high school, and it wound up being a good resource.

However, this year, I had the opportunity to have another soccer experience that was brand-new for me but involved the oldest love of my soccer fandom. After that second experience, I started to wonder if it wasn’t time for a second essay about my soccer fandom, that used that second experience as an opportunity to express how I felt about the sport and one team in particular.

This is the result of that urge.

So, about 10 years after I tried this for the first time, I’m going to do something of a spiritual sequel to that article. Let’s hang out with the Yanks.

Continue reading “Joining the Yanks”

Writing Journal 21 September 2022: Another solid week and a nice trip to Badger, Iowa

I’d love every week to be something like this week, writing-wise.

I was nice and solidly productive this week and much of what I wrote ended up on this blog. That’s nice to see after many months where the only thing I produced on here were writing journals.

As for the exact numbers… they were not record-breaking, but very solid and above what I am trying to shoot for every week. If every week winds up like this, this year’s goals of 200,000 words in 2022 and meeting my daily writing quota at least 70 percent of the time is in the bag.

I also had the chance to make an appearance at the Badger (Iowa) Public Library when their librarian invited me to come to its book fair of regional authors. I had the chance to meet and network with several writers and the library was quite hospitable to me and the other authors there. It was a bit of a drive for me, but I enjoyed the experience and certainly would return there.

So, in all, it was a good week. I’ll be looking forward to seeing some falling temperatures at last now that it is officially fall in a day or so. Summer heat can get gone as soon as possible.

Anyway, here’s the numbers. Keep safe and live your lives, everyone.

Writing statistics for the week ending 17 September 2022:
+4,484 words written.|
Days writing: 6 of 7.
Days revising/planning: 1 of 7 for 120 total minutes.
Daily Writing Goals Met (500+ words or 30 minutes of planning/revisions): 6 of 7 days.

“Work” Writing Vs. “Fun” Writing: A Reflection (Part 2/?)

It all started with a television show.

The time was spring 2019. I had just become a published author for the first time ever, but I was having difficulty getting things off the ground. 

There were the usual difficulties with being a first-time author, of course, but I had many other things going against me other than the typical stuff. First, in a business where you want to be well-known in the region that you live in, I was less than a year away from moving to a totally different section of the state, far away from my home base of 40 years. In the middle of me doing that, trying to hustle for a side gig was the last thing on my mind. 

Looming in the distance, although I wasn’t aware of it at the time, was COVID, which would keep me away from doing anything in-person for a long time to come. That would eventually halt most of the momentum that I had, and the fact that the publisher I worked with on my book was not accepting any new fiction work stopped my progress on that front, as well.

I was in a weird middle place, which I haven’t totally escaped from yet, where I was in-between projects. I have (still do have) some fiction that I had been working on, and the idea of trying to get back into the grind of trying to find a new publisher or agent was something that I was dreading. I was anticipating a years-long process behind that, because that was how it had gone previously for me. And there was no guarantee that I would have what I wanted in the end.

It was then that I got… a bit distracted by a shiny object – that television show.

Back in 2019, Game of Thrones was king. While I am not an HBO subscriber, I had been following the progress of the television show by other means. I am a big fan of fantasy fiction, and this interest had only grown since I was in my pre-teens.

The show was in its final season and I know there were plenty of people online anticipating the ending of the show. Many were anticipating it so much, even, that they were starting to come up with their own endings for the show. Even more, I was beginning to read them and watch them online.

I’d never had a totally favorable opinion of fan fiction by this time of my life. I had heard the old stories about how Star Trek had gotten that and “slash” romance fiction (such as Kirk/Spock). It seemed like people just trying to write their weirdest fantasies and throw it out into the ether of the Internet.

I started, in an ever so gradual manner, to read some of this work. Some of it I found on Reddit; some I discovered lurking around on other sites. I even saw a table read of a Game of Thrones play covering the final season on YouTube. There was a lot of speculation on YouTube regarding how this was going to shake out.

So, as I began to read and watch that material, in waiting for that final season to drop, I came upon something of a revelation for myself. I started to realize, some of these authors are good.

When I say that, I’m not talking about writers who were basically literate. I’m talking guys (and ladies) who were really good storytellers. I was getting as much enjoyment out those stories online as I had ever gotten out of anything I’d bought from a bookstore or Amazon’s Kindle store. They had everything – compelling, real-to-life characters with compelling relationships, great descriptions, plots that drove the story and that made sense based on a clear understanding of human nature and logical thought.

Because there wasn’t a lot of that – especially good plots – on TV screens right around spring 2019. Specifically, on any screens showing Game of Thrones.

If you haven’t heard, there were a whole bunch of people not happy with the ending of Game of Thrones. In fact, it was a debacle that eventually ended up killing a lot of the rewatch potential for the series. Somehow, it has managed to not destroy interest in the A Song of Ice and Fire universe (as the George RR Martin series is called), based on the reaction to the new House of the Dragon series (essentially a prequel to Game of Thrones).

I had been through bad endings of television series before, many many times. Anyone who grew up with any memory of 1970’s television (and reruns of 1950’s-1960’s television) would be able to recall bad series endings. Especially in those early days, there was no sense among television executives that series could come to a clear ending. They’d usually run those series until the wheels came off, when the ratings kept dropping even when cute kids were introduced in a desperate effort to keep eyeballs on cathode ray tubes. 

Eventually, those producers and show-runners got more sophisticated and realized that series needed a decent ending so that you could have satisfying series-long story arcs. Of course, show runners still got things wrong when it came to final seasons and endings. I had already suffered through Rosanne, Dexter, Lost, and, most horrifically, Battlestar Galactica (1-2).

But this ending – the ending to Game of Thrones – that threw me more than nearly any other ending of a show or a movie ever had. And as I was stewing over the many flaws of not only the ending but the entire final season of the show, one thought kept nagging at me: I could do this better than the 2Ds (3).

So, I started writing, pouring all of that frustration and a desire for a great story out onto the computer screen. Within a few weeks, I had a 40,000-word story set after the events of the series. It was a wild little tale that was never going to earn me a single dime. I wound up posting it in full on FanFiction.Net. 

People started posting comments on it and saying it was good. It… was a bit of a rush, to be honest. I mean, I’ve had people compliment my work before (more than a few of them family), but this was some random strangers giving them out. 

Then I decided to post it on a site called Archive Of Our Own (AO3), a virtual warehouse of fanfiction content. I met several cool authors there who put out some really ambitious work. There was one younger writer out there who essentially did an entire rewrite and reimagining of the entire ASOIAF series (4). There was plenty of great writing out there… and the craziest idea popped into my head.

“I should do a rewrite of Season 8.”

Part of me thought it would be too much work to do for a “fun” project, something that had no commercial potential whatsoever. But the other part was drawn to the challenge. I’d seen too much cringe moments in that season that I knew I could have done a better job of it than they could. I’d had that feeling reading plenty of paperbacks over the years, but I hadn’t gotten the idea to actually redo a book. Until now. 

I ended up with about half a million words. 

It’s now a series. 

I’ve had more than 1,000 people give “kudos” (AO3-speak for likes). 

I’m not sure how much more of it I’m going to write. If I wanted to be a “serious” writer, I should just try and come up with an idea about a new OC dark fantasy series. 

But, it turns out it’s one of the most fun things that I’ve ever experienced as a writer. 

And because of it, I think I fell back in love with just writing for writing’s sake. And I’m so thankful for it.

And yes, there will be more to this in a later post. Maybe you’ll see it next weekend? And maybe you’ll see it with some other stuff.

Footnotes:

1. The one that started in 2003, not the one in 1978. You’d never expect a science fiction series to last long in the 1970’s.

2. The four best ever endings in TV history so far are, of course, The Shield, The Wire, Six Feet Under, and The Sopranos.

3. The Showrunners Who Will Not Be Named.

4. He’s since started at least three other series reimagining that universe. He’s a very ambitious and creative young man.

A Self-Publisher’s Progress, or Lack Of It: Why I’m Going to Go the Self-Publishing Route

These are interesting times.

You might remember that I managed to get a book published with an outside publisher a couple of years back. That was a feather in my cap, certainly, and I crossed a big item off my bucket list in the process.

Since then… I have not yet had a chance to publish another book. The publishing company I worked with previously is not accepting new fiction, so that avenue is closed to me. I have at least one or two possibilities for projects I could move forward with. I have at least one that is almost publishing ready, except for a few items.

So, I am faced with two different possibilities. First, there’s option of trying once again to find a publisher or agent willing to work with me to put together a new project. They would have a better idea of the current publishing climate than I would, obviously, and more connections in that area as well. Usually you won’t get a look from any of the Big FIve publishers – Penguin/Random House, Hachette Book Group, Harper Collins, Simon and Schuster, and Macmillan – without an agent1. It’s a long-term process, as well – getting a book through the publishing process even if you succeed can take months and even years at a time, not even counting the initial writing process.

Or, I can go the self-publishing route. Selling physical books on demand is easier than ever thanks to Amazon, and e-book distribution can cut out even more middlemen out if you want to go the all e-book route. (As for me, I am too much of a traditionalist to totally abandon physical books. There I would be my own boss and have the majority of the profits. How much of those profits there would be is an open question. Some people can make a tidy career out of this. For others, the revenue is few and far between.

I’ve been thinking long and hard about this. As a result, I have elected to go the self-publishing route.

There are two main reasons that I’ve made that decision.

The first has to do with fame and fortune. When I was a kid, I may have had a small little dream to be a Stephen King-level writer. He was one of my idols, so of course I was going to think that. Then it turned out that for a long time I didn’t write a lot of stuff, as a young man. It would take me a long time to build up to being a consistently productive writer, and even then I wouldn’t imagine that I could be as productive as King, even in the early cocaine days2.

There are so many writers out there trying to make a name for themselves. A good number of them are truly great and talented, and most have at least some talent. Very few of them “make it,” just like so many talented actors, dancers, musicians, and other artists don’t make it. The ones who make it are successful enough to have publishing contracts, book advances, and teams of agents, attorneys, publicists, and other handlers to make their lives easier.

I don’t think that is going to happen to me.

I’d say that realistically, I am at the halfway point of my life. If it hasn’t happened at this point, I see an even smaller chance of it happening to me, even as you hear the tales of older authors becoming an “overnight” success. So if such a fate is not likely to happen to me, I shouldn’t want to concentrate on doing things with that in mind. I’d rather have full control over my fate, no matter what sort of financial rewards there are in it.

And that brings me to the second reason for this. I just want to write.

I’m tired of putting so much effort into finding publishers and agents, putting in so much time into it and not getting anything out of it. If I’m going to spend my time on this passion of mine, I want to start putting out the stories that I want to put out, and getting them out to anyone who wants to read them. Yeah, I’ll have to do promotional work, and other things like formatting and cover designs, but it will be a lot less foolishness than if I went the traditional route.

I know I only have a limited time in this existence, although I hope I still have many years still left. I want to do it telling the stories I have in me.

It’s going to take some time, even with the self-publishing route. But I’m looking forward to getting it started.

Footnotes:

  1. I should qualify this by saying that I would not include pay-to-play publishing or agents in this category. I have had past experiences and meetings with such people, and I’ve concluded that it’s more trouble than it’s worth.
  2. I do not endorse using hard drugs for any reason, but especially creative ones. Anyone who thinks it is sustainable needs to read The Tommyknockers and watch Maximum Overdrive. When he had a prescription drug relapse after getting run over by that van, he wrote Dreamcatcher. I rest my case.