A Poem Idea?💡

Today I’m off from school due to ice storms.

This is the eighth snow day at least since school got stared.

That’s not counting early/late outs due to weather.

During the past three years I had maybe three snow days combined.

I think there might be a poem in the idea of sitting at home late at night or early in the morning, checking your phone or the local news, seeing if you are staying home that day more than you expected and all day.

There also might be a few lines covering what it’s like to be off those days, relaxing but not really relaxed, wondering how this throws off all of your well-laid plans.

What do you think?

I think I’m going to give it a shot, even if what I produce is rubbish in the end.

A Poem: Closing Doors

Have to admit that I am running low on material just sitting around as far as short stories/poetry to show here. Mainly it’s older stuff that I might be interested in publishing someday – my main focus has been novels.

Anyway, read this if you want and see what you think.

Closing Doors

 

Down the grey hall, fluorescents

flickering more and more as the clock hands

drag

I walk past the doors.

Some are French, others

industrial with piston handles,

others are American Revival

(when is that coming?)

Years back, I remember

that all of the doors were open,

and you were able to walk in.

It wasn’t quite as easy to walk in

some of the doors, however.

There were doors that led to long

flights of staircases, or

balance-beam narrow bridges,

for instance.

Some of the doors had come from bank vaults,

so it took my shoulder and my bulk

to get it open.

Sometimes I ducked my head behind the door

and found empty desks or rows of kids playing all board games I’d gotten tired of when I was 5, so I didn’t walk in.

I walked into other doors, though, even the occasional vault door or the one where I had to wrestle it open or climb a hyperangle hill.

As I look around now, though,

something has slowly changed.

Every year, I would try the handle of a door and find it locked.

Every year, I’d discover a couple more doors locked, or chained shut.

There were even a few metal doors that

I could see had been freshly welded shut,

the gun-grey solder ice-hot to the touch,

the door handles smashed.

Nowadays, I’d say whenever I stalk the hall,

half of the doors can’t be opened

for one reason or the other.

I’ve realized those closings can’t be helped, that you can only leave the doors open for so long before closing up shop.

The only door that doesn’t seem ready for the lock is the one at the end of the hall.

It doesn’t appear to even have an actual door, just an ornately carved oak doorjam and

ink darkness bleeding out from it.

I always walk down there to the end, but I’ve never looked in and never walked in.

Maybe later.

Maybe I’ll have to, when all of the doors

are locked and I’m not able to open

anything else.

Every time I have fewer doors.

Usually, that makes me sad to tears or makes my nerves raw.

Just recently, however,

I’ve begun wondering if what I will feel when the time comes will be simply relief.

Or, maybe I’ll be able to pick a few locks

by then.

Who knows?

The Cowboy And The Japanese Intern: A counterfactual historical fiction short story

This came out of two weird obsessions of mine – counterfactual history and professional wrestling, especially wrestling from the late 20th century.

people men fight challenge
Photo by Skitterphoto on Pexels.com

The concept of “What If” has made the study and reading of history that much more interesting. What if the US did invade Japan during World War II? What if William of Normandy didn’t succeed in invading Europe, or what if the Mongol Empire had completed its invasion of Europe? What if Jesus hadn’t been crucified? The fictional possibilities of those questions often would send my mind reeling.

As a young kid, my mind was captivated by the operatic, hyperbolic, and lunatic action of pro wrestling. I had never known characters like this in real life, but they were clear echoes of the society I lived in. It was a guilty pleasure I had to keep at least halfway hidden from my parents, who had no idea what to make of their son’s obsession with massive musclemen, masked luchas, and high-flying daredevils telling operettas of the working class. (I guess I had more in common with Ric Flair than a Midwestern upbringing.)

It was a fascination that never truly went away, even after I realized what kayfabe was all about and I began to see through some of the more repetitive storytelling. But the fascination with wrestling culture and lore never quite went away for me. One of those stories was the tale of the Von Erich family. I had heard of the family growing up, but it wasn’t until much later, when the veil of kayfabe was pulled away and the Internet made research 10 times easier than in the old days of card catalogues and vertical files in libraries, that I found out the whole story about them. They were a family that were bigger stars than the Dallas Cowboys in Dallas and the Texas Longhorns in Texas, and their story was a tragedy of depression, death, and suicide that would have made Shakespeare sit up and take notice.

Some night about eight years ago, a “what if?” question came to my mind when I was doodling on the computer. What if the first of the Von Erich brothers to die hadn’t died in Japan in 1984?

For a day or so, I pounded out about 1,000 words on the subject, taking as my additional inspiration the final airing of WCW Nitro in 2001. Then, as per my usual problems with procrastination, it sat there untouched for years in my hard drives.

This week, I opened the file and took another look at it. I was interested in a change of pace. In two days, I added another 3,000 words to it. I have the feeling it is, in the words of the original Top Gear crew, “ambitious but rubbish.” But so help me, I hadn’t had more fun recently than the hour and a half it took me to book the most awesome wrestling event of the 1980’s, one that would have put Wrestlemanias I and III to shame.

Good or bad or somewhere in between – whatever it is, keep reading to see what my obsessions have wrought. As Rick Sanchez might say, just consider it one of the possibilities somewhere on the finite curve.

Continue reading “The Cowboy And The Japanese Intern: A counterfactual historical fiction short story”

Waiting/Alone At The Crossroads: A poem

I was inspired to write this when I was about to leave a teaching position for the first time, and I wasn’t sure how to express my feelings to my students. So, since I had assigned those students a poetry unit at the end of the year, I decided that whatever was good for them was good for me. As I have often said, I’m not willing to assign students something that I wouldn’t be willing to do myself. This was basically my goodbye to those students.

Waiting (Alone At The Crossroads)

By Jason Liegois (2010)

Alone at the crossroads, waiting for my ride.

No point in staying any longer, I’ve got another place I have to go.

The road is empty.

I know the schedule, I know when the ride’s here, but it’s not here yet.

I’m still waiting.

All my packing is done – my bags are packed, debts paid, ticket paid – I’ve bought my ticket – but no ride.

I’m waiting alone at the crossroads.

It’s an Iowa crossroads, strictly Iowa thru and thru – the two lane, intersection, a stop sign, tall corn stretching, their stalks and nothing else on the horizon except for a farmhouse or two.

No other people, obviously.

Now I know why the old-time farm wives went a little nuts.

Still waiting.

Alone, not one else, I grab a battered old pulp paperback out of my bag, and picture I’m on Mars, Coursurant, Dune, anywhere but here, waiting.

All the work seems to be done.

I know kind of where I will go, and what I will do.

I know for sure that I have to go, there’s no choice but to go, even, deep down, I want to go – but I’m not.

I’m sitting here, waiting for my ride.

That’s the thing I hate, it’s the waiting. . .

Before the ride.