As a kid, I took my music seriously.
When I was into rock and roll, I really dived deep into the history of the music, especially Sixties and Seventies rock. I grew up as a little kid starting to hide my interest in heavy metal and punk from my mom, who thought the music just a little harsh for a kid my age to get into.
By the time I was off to college, the alternative rock and indie rock surge was all around me and I truly got into that. Nirvana was one of my biggest bands and I still remember driving in a car when they announced Kurt Cobain killed himself. One of the things that I did admire about Kurt was how he promoted and discussed his musical influences, the musicians not only from the Sixties and Seventies, but the underground rock acts of the Eighties that helped pave the way for bands, like his, like Black Flag, The Minutemen, Husker Dü, The Replacements, Dinosaur jr, and many others.
In the years since then, I’ve expanded my musical interests into many other genres and styles, but I still appreciated music made by people who believed in authenticity and emotional honesty. From that love of the music started to come the origins of an idea.
What if I wrote about a fictional band from that 1980’s era of underground rock? What if I was able to put together a whole fictional history for that band, make it my version of some mix of Nirvana and Sonic Youth? And like Sonic Youth, what if that band had overcome personal and professional adversity to make it to widespread fame by the 1990’s?
So, I started writing a book, several years ago (closer to the beginning of this decade than the end of it). I got into the origin of the band, spouted off a lot of word salad about the meaning of music, and the effort petered out after I got somewhere around 35,000 words. I’ve talked before about how I used to work; that was one of my creative casualties.
So, after I got finished with the first draft of The American Nine this year, I was sort of puttering around and decided to take a nervous look at what I’d produced and see if there was anything worthy of getting on with. My verdict:
- I was very happy with the characters I’d produced, especially the band members. All of them had different personalities and had different reasons to come to the music, but that mutual interest and respect drew them together.
- It was way long-winded, back in the days when I never worried about word counts except for the time or two I tried to do NaNoWriMo. Managed to cut down what I had to just over 30,000 words without too much trouble.
- Even with those cuts, I think I’m still going to have a book that’s not going to be able to fit under the 100,000 mark. I have the feeling it might fit more into a series – a trilogy, actually. If I do a trilogy, the ending of the first book will have to take some planning, but I think the rest of it is coming together.
- I think this is something that could work.
So, that’s my initial impressions of the new project. The advice that I would give you today is that even a project you think didn’t have potential might look better after some time away from it. Don’t ever throw away mistakes – you’ll never know when they’ll be, as Bob Ross once said, happy accidents.
5 thoughts on “A Writer’s Biography, Volume II, Part 4: Reviving An Old Writing Project”
What I’ve learned is if they are truly characters that you love, you will find something to do with them. Sometimes getting there takes a little investment to get there, but most of the time you just know. Are these guys in that territory for you?
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I’d agree. I tend to recognize that I’m getting interested in them when I start to have conversations with them in my head.